Raster graphics are synonymous with bitmap graphics, as both essentially refer to computer images that are formed by way of a rectangular grid of pixels or individual points of color. Source: wikipedia Further, because of its bitmap base, Photoshop is great for web designers because it allows you to optimize graphics for use online, resulting in smaller file sizes and subsequently quicker page loading.
Web designers can also appreciate that Photoshop provides a relatively easy forum for slicing graphics to form individual online elements, such as backgrounds and buttons, for laying out web pages and wire frames. Above all, the glaring difference here is that when bitmap files are enlarged, they lose quality. As the individual bits get larger, at a certain point in the enlarging process you begin to see a ragged edge the result of the individual squares that make up the bitmap design, as opposed to a smooth edge formed by a vector image.
Obviously, this perceived pixilation becomes a substantial problem when growing an image to the size of a billboard. Logos need to be versatile by nature but because Photoshop does not allow you to make a vector file, you would either need to create the original file to be the size of a billboard and shrink it down from there or you would literally need to remake the logo each time in a new size, which are both, of course, ridiculous practices.
While Illustrator is ideal for the creation of individual elements and Photoshop is ideal for editing photos or laying out a single-page document, InDesign sets itself apart by being the authority on multi-page items such as book design, multiple page brochures, annual reports, catalogs, etc. As the core inspiration for this piece, clients have many misconceptions when it comes to the interchangeability between the aforementioned programs. Although they are all part of the Adobe Creative Suite, and thus share some functional similarities, the fact of the matter is that they each yield a different file type that may or may not be compatible with their counterparts.
Below are some of the most common misconceptions about working between these programs. Yes, Photoshop and InDesign can import a finalized vector image from Illustrator and then incorporate it into the greater design but, when it comes to actually editing that individual element, it needs to be done in its native program.
The problem here is that there are a lot of limitations in using Photoshop for vector purposes, as it can work with certain vector graphics but is ultimately limited in what can be achieved using vectors. As uncomfortable as it might be, clients should allow their designers to create in the most appropriate program for the job, as opposed to the software they are most familiar with. When it comes to delivering a final logo to a client, it must be assumed that the client does not know how to edit or convert the file and that the logo will be used on all sizes of materials, from that point forward.
It is editable in Adobe Illustrator and it is a vector file, which means it can be resized without loss of quality. This is the file type that will be requested by most professionals. This file can be opened in Adobe Photoshop and has a transparent background. This file may appear to be a different color to the other file types but assure them not to worry; this is just because a computer monitor cannot properly display CMYK color as all computer monitors operate in an RGB language.
Many clients think in the short term about the use of their logo, so providing this variety of file formats will satisfy their needs when it comes to resizing the design for all the different mediums in the future. While the client might only intend to use the new logo on their website, where Photoshop would be suitable, history shows that once their business starts to grow, so will the breadth of their marketing plan.
With this growth, it is then imperative that businesses look at the big picture for their brand. As much as they might request a Photoshop logo, for the purpose of handling any additional design edits in-house, providing an Illustrator logo that is professionally usable in the long run is far more important than providing a Photoshop logo that the client can handle themselves in the short term.
Simply put, using Illustrator gives the client the most flexibility going forward with their brand. Although all three of these Adobe programs have the ability to create logos to some degree, the specialized capabilities listed above have solidly slated Illustrator as the definitive industry standard for professional logo designers.
Easily the most used program worldwide for vector graphics, this premiere program offers the most flexibility in the long term and is the preferred format when working with professional printers, sign makers and embroiders alike. After Effects is a popular tool for visual effects, motion graphics, and compositing so a valuable entry in an Adobe software list. After Effects is also used in the post-production process of film making and television, for tasks such as keying, tracking and compositing, and creating visual effects such as explosions and lightning strikes.
See our After Effects tutorials for help on getting to grips with After Effects. This makes it easier to get everything working correctly, before you embark on the final coding. For more info on the free and paid-for versions, see our download Adobe XD post. Adobe Substance brings the industry standard texturing Substance suite for 3D artists acquired by Adobe in to the Creative Cloud suite.
The collection features four 3D design apps Painter, Sampler, Designer and Stager as well as a huge library of 3D assets. But beware: it isn't included in the Creative Cloud All Apps plan, so you'll have to fork out an extra subscription to get the most out of it.
Check out our InDesign tutorials to have you using this app like a pro. Lightroom is a family of tools for image organisation and image manipulation. Its strength lies primarily in the former, and is a good tool for a photo studio or photographer that needs to handle large numbers of images.
Also note that Lightroom's edits are always non-destructive. Recent new features include Auto Reframe, which applies intelligent reframing to your footage keeping the action inside the frame for different aspect ratios and the ability to snap graphic elements to guides, to each other, or to tracked items. Adobe Spark is a suite of apps for creating graphics, web pages, and short videos for social media, easily and quickly. Adobe Fresco is a digital art app, which mimics some of the best elements of other fine art programs for iPad.
It combines the expression and power of Photoshop brushes, with the precision of vector brushes. The Live Brush function allows you to paint with watercolours and oils that blossom, blend, smear, and smudge just like in real life. Fresco has a simple and intuitive interface that's great for beginners and pros alike, so you'll want to try out this top pick from the Adobe software list soon.
See our full Adobe Fresco review. Adobe Premiere Rush is an all-in-one, cross-platform video editing software that processes and uploads video clips quickly, ideal for social media content creators.
The app supports video cropping, resizing, rotating and colour correction, plus a host of sound and sequence editing features. All content is saved in the cloud, ideal for editing across multiple devices, and there's an auto-sync option, which makes it even easier.
Rush is designed to make it super-simple to edit and upload content directly to social media platforms, so it isn't heavy-duty — but its full integration with Premiere Pro means it doesn't need to be. Adobe Dimension is a tool for mocking up, compositing and rendering photorealistic 3D images based on 2D and 3D models, photos and textures you have imported from elsewhere, including Adobe Stock.
The main advantage is being able to create scenes that look like photographs, without having to organise a photoshoot. Last up in our Adobe software list is one of the original apps. Tom May is an award-winning journalist and editor specialising in design, photography and technology. He was previously editor of Professional Photography magazine, associate editor at Creative Bloq, and deputy editor at net magazine. Adobe Photoshop. Specifications Used for: Image editing and manipulation, photo retouching, graphic design, web and app prototyping, 3D modelling.
Platforms: Mac, Windows, iPad. Reasons to avoid - Complex - Big learning curve. Adobe Illustrator. Specifications Used for: Illustration, designing vector graphics. Reasons to avoid - Expensive compared to rivals. Adobe After Effects. Specifications Used for: VFX, motion graphics, compositing. Platforms: Mac, Windows. Reasons to avoid - Not sophisticated enough for full movie production. Adobe XD.
Specifications Used for: Web and app prototyping. Reasons to avoid - Sketch still industry standard. Adobe Substance. Reasons to avoid - Not included in All Apps plan - Big learning curve. Adobe InDesign CC.
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